Cartulaire de l'Abbaye de Saint-Aubin d'Angers, Vol. 3 (Classic Reprint)

Cartulaire de l'Abbaye de Saint-Aubin d'Angers, Vol. 3 (Classic Reprint)

Book Title: Cartulaire de l'Abbaye de Saint-Aubin d'Angers, Vol. 3 (Classic Reprint)

Author: John Grenham

Format: Paperback | 262 pages

Publication Date: 15 Nov 2018

ISBN-13: 9780243522859

Excerpt from Cartulaire de l'Abbaye de Saint-Aubin d'Angers, Vol. 3 Abo. V. Abbo. I Absalon Roonardi, Roingnardi, R00 gnart, miles, II. 169, 371, 412, 413. Acaio (stephanus de). V. Azeio (stepha nus de). Acardus. V. Achardus. Accipiter (philippus), II, 155, 156. Acclini Campus, Aclini Campus, Ad clini Campus, Alodium de Aclini Campo, I, 375, 376, 415, 416, 417. L'aleu commune de Lu clté-pringe' (sarthej. Acfridus, Acfredus, serviens comitisse Grecie, II, 174. Vicarius, I, 252. Achardi (paganus), I, 7, 172. Achardus, Acardus, Il, 162. Abbas Sancti Nicholai Andecaven sis, II, 8. Abbas Sancti Sergii Andecavensis, II, 11. De Baloria, I, 247. De Medio Toarcio, II, 335. Miles, II, 161, 162. Monachus Sancti Albini, I, 52, 54, 55, 67, 283 II, 213, 378. Achardus, monachus Sancte Trinitatis Vindocinensis, Il, 58. Secretarius Sancti Albini, I, 212. Acharias, filius Vitalis parchaminarii. II, 351. Achelmus, archidiaconus Burdigalen sis, II, 222, 223. Aclini Campus. V. Acclini Campus. Actardus, episcopus Nannetensis, I, 3l, Aculeus (johannes), II, 414. (widdo), I, 285 Il, 160. Adam, Adamus, Ada, I, 406. De Castro Ledi, de Castello Ledi, I, 375, 376; II, 20. De Curto Campo, I, 245. De Milleio, II, 195. De Mota, I, 127, 419. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.